Top Hot Games

hypnosec writes “Several of Ubisoft’s biggest titles won’t be playable as of next week thanks to a server move by the publisher and the restrictive DRM that was used in their development. This isn’t just multiplayer either. Because Ubisoft thought it would be a smart plan to use always on DRM for even the single player portion of games like Assassin’s Creed, even the single player portion of that title won’t be playable during the server move. Some of the other games affected by this move will be Tom Clancy’s HAWX 2, Might & Magic: Heroes 6 and The Settlers 7. The Mac games that will be broken during this period are Assassin’s Creed, Splinter Cell Conviction and The Settlers. This move was announced this week as part of a community letter, with Ubisoft describing how the data servers for many of the publisher’s online services would be migrated from third party facilities to a new location starting on the 7th February. The publisher didn’t reveal how long the transfer would take.”

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dotarray writes “According to an Oklahoma politician, video games help cause many problems affecting the youth of today, but they can also help solve those same problems. Representative William Fourkiller, a Democrat, has proposed a 1% tax on every video game sold which has a Teen, Mature or Adults Only rating. He explains that half of the money would go towards helping to get kids playing outside, while the other half would be placed into a bullying prevention fund.”

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bonch writes “After taking heat over allegations of copying hit indie game Tiny Tower, Zynga founder Mark Pincus wrote an internal memo justifying the company’s strategy of cloning competing titles, citing the Google search engine and Apple iPod as successful products which weren’t first in their markets. Pincus infamously told employees: ‘I don’t want f*cking innovation. You’re not smarter than your competitor. Just copy what they do and do it until you get their numbers.’”

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A few weeks back, you asked gaming-world academic and game designer Ian Bogost questions from the business, philosophical, and aesthetic sides of gaming; below, find his responses. Thanks, Ian!

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MojoKid writes “Studios and publishers are fighting back hard against the used game market, with the upcoming title Kingdoms of Amular the latest to declare it will use a content lock. In this case, KoA ups the ante by locking out part of the game that’s normally available in single-player mode. Gamers exploded, with many angry that game content that had shipped on the physical disc was locked away and missing, as well as being angry at the fact that content was withheld from used game players. One forum thread asking if the studio fought back against allowing EA to lock the content went on for 49 pages before Curt Shilling, the head of 38 Studios, took to the forums himself. His commentary on the situation is blunt and to the point. ‘This is not 38 trying to take more of your money, or EA in this case, this is us rewarding people for helping us! If you disagree due to methodology, ok, but that is our intent… companies are still trying to figure out how to receive dollars spent on games they make, when they are bought. Is that wrong? if so please tell me how.’”

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silentbrad writes “Online passes are a recent staple in staving off used sales. Limiting what used buyers can access is a protective measure for publishers, much to the chagrin of parts of the gaming community. Chris Kohler of Wired argues that the death of used games is inevitable, and passes are the first step toward something exactly like a native anti-used game something integrated into consoles. He notes, of course, that digital is the future of buying games, but in the meantime we may be looking at ‘an interim period in which the disc as a delivery method is still around but … becomes more like a PC game, which are sold with one-time-use keys that grant one owner a license to play the game on his machine.’ Also at Kotaku, the source for the Wired article (which is the source for the IGN article).”

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hypnosec writes “Australia is set to update the age rating system for video games, adding a new 18+ category which should allow for the more violent games to be sold in the country. The current maximum age rating for a console or PC game is 15+. If a title didn’t meet the specifications for this age it was denied a rating and was therefore not allowed to go on sale. This didn’t necessarily mean the game never hit the shelves, but it could only do if tweaks were made to remove some of the most violent or questionable content. The first parliamentary session in the new year is set for the 7th February — giving the poor fellas a nice long break — where the bill to introduce the new age rating will be voted on by the lower house. If it passes there, it will go on to the senate, which has the ability to pass it into law.”

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hypnosec writes “Microsoft’s Flight Simulator series, which was in dormant state until now, will see a re-launch this spring and that too for free. The name of this series will be simply Flight, and players will have free access to the digital sky with this simulator. In other words, it will be available as a free download; however, the user would need to buy additional content to enhance their experience. The content that can be purchased includes aircraft as well as new environments. Microsoft states that the most amazing part of this game is the user can experience some real life locations like Big Island of Hawaii along with ‘region-specific weather patterns, foliage, terrain and landmarks.’” [Video demo here.] I’d like to know where the ESRB finds “crude humor” or “mild violence” in there.

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MojoKid writes “When an advance copy of Crysis 2 leaked to the Internet a full month before the game’s scheduled release, Crytek and Electronic Arts (EA) were understandably miffed and, as it turns out, justified in their fears of mass piracy. Crysis 2 was illegally download on the PC platform 3,920,000 times, ‘beating out’ Call of Duty: Modern Warfare 3 with 3,650,000 illegal downloads. Numbers like these don’t bode well for PC gamers and will only serve to encourage even more draconian DRM measures than we’ve seen in the past.”

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An anonymous reader writes to point out this interesting outgrowth of Google’s Native Client: a Google engineer has ported MAME 0.143 to the browser-based platform, and written about the process in detail, outlining the overall strategy employed as well as specific problems that MAME presented. An impressive postscript from the conclusion: “The port of MAME was relatively challenging; combined with figuring out how to port SDL-based games and load resources in Native Client, the overall effort took us about 4 days to complete.”

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